Irving Penn: Kinship Curated by Hank Willis Thomas
From left to right: Irving Penn, Three Single Oriental Poppies, New York, 1968; Irving Penn, Three Dahomey Girls (with Bowls), 1967. Photographs © The Irving Penn Foundation.
Pace is pleased to present Irving Penn: Kinship, an exhibition of work by the famed photographer Irving Penn, curated by artist Hank Willis Thomas, at its 508 West 25th Street gallery in New York. The exhibition opened on November 15 and will be on view until December 21, this show will spotlight works produced by Penn throughout his 70-year career, including selections from his Worlds in a Small Room series, his iconic portraits of artists, actors, and writers, and other genres of his images. These photographs will be exhibited within an installation designed by Thomas to replicate a structure that Penn used to photograph many of his high-profile subjects.
Working for Vogue for nearly 70 years, Penn left an indelible mark on the history of photography. His inventive fashion photographs, which transformed American image-making in the postwar era, continued to appear in the magazine up until his death in 2009. The artist was also highly accomplished and experimental in the darkroom, having engineered, among other innovations, a complex technique for making platinum-palladium prints.
Irving Penn, Issey Miyake Fashion, White and Black, New York, 1990 VINTAGE GELATIN SILVER vintage gelatin silver print mounted to board 15" × 14-3/4" (38.1 cm × 37.5 cm), image and paper 17" × 16" (43.2 cm × 40.6 cm), mount signed, titled, dated and annotated verso with stamps and ink Photographs © The Irving Penn Foundation
Often investigating the ways that framing and perspective can shape our experiences of the world around us, Thomas will situate Penn’s photographs within a bespoke, star-shaped structure with intersecting corners, created using a material similar to the plywood flats of the photographer’s original studio for his portraits in a corner. Displayed on the structure’s exterior walls and within its central interior space, Penn’s images will invite viewers to inhabit a similarly intimate, enclosed space as the subjects of his portraits captured across the globe—through Thomas’s vision, this room becomes a new world of its own.
A trained photographer, Thomas, widely known for his galvanizing public works around the US, is deeply interested in both the making and consumption of images. His investigations into subjectivity and perception inform his work in photography and other mediums, including sculpture, screen printing, video, and installation. Penn’s Worlds in a Small Room works—for which he journeyed to Cuzco, Crete, Extremadura, Dahomey, Cameroon, San Francisco, Nepal, New Guinea, and Morocco to capture people’s portraits within a tent he used as a portable studio—have been particularly influential for Thomas, who was part of the artistic team behind the traveling, participatory installation In Search of the Truth (The Truth Booth), which debuted in 2011 and has since been presented around the world.
Irving Penn, Jessye Norman, New York, 1963 PLATINUM PALLADIUM platinum palladium print mounted to aluminum 18-7/8" × 18-7/8" (47.9 cm × 47.9 cm), image 24-7/8" × 22" (63.2 cm × 55.9 cm), paper 26" × 22" (66 cm × 55.9 cm), mount signed, titled, dated and annotated verso with stamps and pencil Photographs © The Irving Penn Foundation
Showcasing the varied but interconnected motifs and ideas that Penn returned to time and again over the course of his life, the images selected and paired by Thomas speak to a transcendent, universal quality that can be traced across the photographer’s vast oeuvre. His arrangement of Penn’s works is guided by a kind of “visual muscle memory,” which he describes as “the notion that an artist’s eye and hand retain the imprints of past works, unconsciously shaping new creations.” The diverse photographs on view, for Thomas, are marked by their stillness and dignity, their shared interest in capturing and communicating the human experience in a single frame.
Irving Penn: Kinship, Curated by Hank Willis Thomas 508 West 25th Street, New York, NY 10001 November 15 – December 21, 2024 Photography courtesy Pace Gallery
“In Penn’s work, I see a profound reverence for the overlooked and the mundane,” Thomas writes in a curatorial statement for the show. “His fashion photography, often celebrated for its clean lines and sculptural compositions, shares a surprising kinship with his still lifes of discarded objects. By juxtaposing these images, I want to highlight how Penn’s meticulous attention to detail elevates the ordinary to the extraordinary. It’s as if each image, regardless of subject, carries an echo of his broader artistic ethos: the belief that beauty and meaning can be found in even the most unlikely places.”
Concurrent with this curated presentation in New York, Thomas’s solo exhibition of his work at Pace’s London gallery, Kinship of the Soul, will be on view from November 19 to December 21. A retrospective of Penn’s work, organized by The Metropolitan Museum of Art in collaboration with The Irving Penn Foundation, will also open this fall—on view from November 23, 2024 to May 1, 2025—at The Marta Ortega Pérez (MOP) Foundation in A Coruña, Spain.
Thomas’s work is currently featured in the group exhibitions Get in the Game: Sports, Art, Culture at the San Francisco Museum of Modern Art through February 18, 2025 and Grow It, Show It: A Look at Hair from Diane Arbus to TikTok at the Museum Folkwang in Essen, Germany, through January 12, 2025. At the Institute of Contemporary Art Boston, The Gun Violence Memorial Project—a collaboration between Boston-based MASS Design Group and Songha & Company, where Thomas is Creative Director, in partnership with the gun violence prevention organization Purpose Over Pain—is on view through January 20, 2025.
Pace is a leading international art gallery representing some of the most influential contemporary artists and estates from the past century, holding decades-long relationships with Alexander Calder, Jean Dubuffet, Barbara Hepworth, Agnes Martin, Louise Nevelson, and Mark Rothko. Pace enjoys a unique U.S. heritage spanning East and West coasts through its early support of artists central to the Abstract Expressionist and Light and Space movements.
Since its founding by Arne Glimcher in 1960, Pace has developed a distinguished legacy as an artist-first gallery that mounts seminal historical and contemporary exhibitions. Under the current leadership of CEO Marc Glimcher, Pace continues to support its artists and share their visionary work with audiences worldwide by remaining at the forefront of innovation. Now in its seventh decade, the gallery advances its mission through a robust global program— comprising exhibitions, artist projects, public installations, institutional collaborations, performances, and interdisciplinary projects. Pace has a legacy in art bookmaking and has published over five hundred titles in close collaboration with artists, with a focus on original scholarship and on introducing new voices to the art historical canon.
Today, Pace has seven locations worldwide, including European footholds in London and Geneva as well as Berlin, where the gallery established an office in 2023. Pace maintains two galleries in New York—its headquarters at 540 West 25th Street, which welcomed almost 120,000 visitors and programmed 20 shows in its first six months, and an adjacent 8,000 sq. ft. exhibition space at 510 West 25th Street. Pace’s long and pioneering history in California includes a gallery in Palo Alto, which was open from 2016 to 2022. Pace’s engagement with Silicon Valley’s technology industry has had a lasting impact on the gallery at a global level, accelerating its initiatives connecting art and technology as well as its work with experiential artists. Pace consolidated its West Coast activity through its flagship in Los Angeles, which opened in 2022. Pace was one of the first international galleries to establish outposts in Asia, where it operates permanent gallery spaces in Hong Kong and Seoul, along with an office and viewing room in Beijing. In spring 2024, Pace will open its first gallery space in Japan in Tokyo’s new Azabudai Hills development.
This exhibition opened on November 15th and will be on view until December 21, 2024, at Pace Gallery 510 West 25th Street in New York. For more information about this exhibition and others, please visit the Pace Gallery’s website here. Pace Gallery can be found on Instagram and Artsy, too.
