Picasso in Fontainebleau

Courtesy of D.A.P and The Museum of Modern Art

Picasso in Fontainebleau

Published by The Museum of Modern Art, New York, and Distributed by D.A.P

Edited by Anne Umland with Francesca Ferrari and Alexandra Morrison.

Contributions by Cindy Albertson, Anny Aviram, Lee Ann Daffner, Michael Duffy, Emilie Faust, Starr Figura, Erika Mosier, Rachel Mustalish.

Picasso in Fontainebleau explores Picasso’s seemingly opposite styles and artistic processes during a three-month summer vacation.

Three Women at the Spring, 1921,  Medium Oil on canvas Dimensions 6' 8 1/4" x 68 1/2" (203.9 x 174 cm) Credit Gift of Mr. and Mrs. Allan D. Emil Object number 332.1952,  Copyright © 2024 Estate of Pablo Picasso / Artists Rights Society (ARS), New York Department Painting and Sculpture at MOMA

In the summer of 1921, on the west wall of his improvised garage studio in Fontainebleau, France, Pablo Picasso painted two large-scale and astonishingly different-looking pictures side by side. On the left hung his classicizing Three Women at the Spring, long associated with the "return to order" in the aftermath of World War I. To its right, Picasso worked on one of two versions of Three Musicians, often described as the culmination of his prewar Cubist style. The visual dissonance of this pairing still has the ability to shock. Yet, a close look at Picasso’s handling of materials, studio installations and fluid understanding of style reveals that these two seemingly incompatible works have more in common than meets the eye, as do other monumental works on canvas, small paintings, line drawings, etchings and pastels that he created in Fontainebleau during his brief three-month residency. Published to accompany an exhibition that reunites Three Women at the Spring and Three Musicians with the richly varied body of work that emerged from Picasso’s Fontainebleau stay, this copiously illustrated catalog, including never-before-seen photographs and archival documents, offers an introduction by curator Anne Umland and 15 object-based essays coauthored by art historians and conservators.

Picasso in Fontainebleau has been on view at MOMA since the 8th of October  of 2023 and will conclude on the 17th of February 2024.

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