ALICE NOTLEY – THE SPEAK ANGEL SERIES
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About The Speak Angel Series:
The Speak Angel Series is composed of six full-length books in various forms but towards the achievement of a unifying epic narrative in which the poet, as character, leads all the souls of all the living and dead to a point zero where the remaking of the cosmos can be performed. As this is being done, the official public world takes place in Paris, France and the United States, and new “characters” are incorporated from the news and from the poet’s life. The forms include a long-line narrative broken by lyric stand-alones, an operatic form designed to make the reader of it chant if reading aloud, a stanzaic form based on the author’s book The Descent of Alette, a book that is simply a collection of different kinds of poems, a book formed by collaging, and a final, long book loosely in the previous stanzaic form. The Speak Angel Series took years to accomplish but is finally ready; it is meant to be read for plot, pleasure, musical experience, wisdom and truth. Why not? The books present something like a cosmology in the philosophical sense, a reading of existence and of death. The dead are very close-by and available in the series, which is a work of stunning ambition.
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About Early Works:
Winner of the Ruth Lilly Poetry Prize and a finalist for the Pulitzer Prize, Alice Notley is one of the greatest living poets. Nevertheless, Notley’s early poetry—published by small presses and in little magazines—has remained mostly inaccessible to readers. Early Works is the first volume to collect the poetry written between 1969 and 1974 that established Notley’s uncompromising vision. If in Notley’s Grave of Light: New and Selected Poems 1970- 2005 we are encouraged to read her visionary poem “Your Dailiness” as the beginning of her career, Early Works offers a way to see “Your Dailiness” as the culmination of a writing practice that inaugurates her singular voice. Tracing Notley’s time living and writing across the United States and in Britain, Early Works gathers her first four books, 165 Meeting House Lane, Phoebe Light, Incidentals in the Day World, and For Frank O’Hara’s Birth- day, as well as a little-known sonnet sequence “Great Interiors, Wines and Spirits of the World” and a large selection of uncollected poems. This work amounts to an unprecedented record of the relentless formal experimentation that Notley engaged in to create her own American poetic tradition. Full of permission to “Be unmetrical Be FRAGRANT,” as she writes in “A Corona,” Notley’s early poetry confirms that, as Ted Berrigan writes in The Poetry Project Newsletter in 1981, “Alice Notley is even better than anyone has yet said she is.”
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Praise
“Alice Notley is a disobedient medium: the dead speak through her and she speaks back. Sometimes she’s a poet of intimate address, sometimes of epic sweep. Notley’s formal experiments allow us to make contact with poetry’s originary and anarchic force.”
– Ben Lerner
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About Author
lice Notley was born in Bisbee, Arizona in 1945 and grew up in Needles, California in the Mojave Desert. She was educated in the Needles public schools, Barnard College, and The Writer’s Workshop, University of Iowa. She has lived most extensively in Needles, in New York, and since 1992 in Paris, France. She is the author of numerous books of poetry, and of essays and talks on poetry, and has edited and co-edited books by Ted Berrigan and Douglas Oliver. She edited the magazine CHICAGO in the 70s and co-edited with Oliver the magazines SCARLET and Gare du Nord in the 90s. She is the recipient of the Los Angeles Times Book Award, the Griffin Prize, the Academy of American Poets’ Lenore Marshall Prize, and the Poetry Foundation’s Ruth Lilly Prize, a lifetime achievement award. Notley may be most widely known for her epic poem The Descent of Alette. Recent books include Eurynome’s Sandals, Certain Magical Acts, Benediction, and For the Ride. Notley is also a collagist, cover artist, and maker of hybrid art objects. An art book, Runes and Chords, is forthcoming or has already appeared.
Back Cover Photo Courtesy of Fonograf Editions
The E-book is available here. The print volume (641 pgs) is smyth-sewn on acid-free 30% postconsumer-waste paper, with design work by Kit Schluter and a Foreword by Robert Dewhurst. Alice Notley provides the introduction. For more information about this title and others at Fonograf Editions please visit their site here. Fonograf can also be found on Instagram, Spotify, Bandcamp.
